The official organization dedicated to the artist's legacy is the primary source for permissions, cataloging, and identifying the current location of specific film reels or video tapes.
Rivers was a polymath: painter, sculptor, poet, actor, director, and television documentarian. He is widely regarded as a bridge between Abstract Expressionism and Pop Art, and Andy Warhol himself acknowledged Rivers' fundamental influence on the development of Pop Art. His 1953 painting Washington Crossing the Delaware —a parodistic, figurative response to the abstraction that dominated the New York art scene—was a career-making work that "thumbed its nose at Abstract Expressionism and pointed the way toward what would later become Pop Art".
But Rivers was also a man who lived without brakes. He struggled with drug addiction and had an obsessive, complicated relationship with sex and the human body. This obsession led him to his most infamous project: a pseudo-documentary shot over nearly six years in the 1970s.
: Because the film features unclothed minors recorded in an exploitative context, possession, distribution, or hosting of this digital data constitutes a severe federal crime in almost all global jurisdictions. --- Documentary Growing 1981 Larry Rivers LINK Download
The Larry Rivers Papers housed at major university research libraries (such as the Fales Library & Special Collections at New York University) contain hundreds of hours of his video diaries, personal audio tapes, and film reels. Researchers can often request on-site viewing privileges.
: Proponents of the era's counter-culture movements occasionally argued that the project was a conceptual exploration of time, human biology, and familial intimacy—aligned with the unfiltered, radical honesty prized by the mid-century underground scene.
Art vs. The Destruction of Innocence | - The Art | Crime Archive The official organization dedicated to the artist's legacy
🔗 Due to copyright restrictions, I can’t provide direct download links, but you can check:
Following Emma's public accusations, NYU's dean of libraries declared that the university wanted no part of . The footage remains with the Larry Rivers Foundation, which continues to refuse Emma's demand for its destruction. The foundation maintains that the film must be preserved as source material for Rivers' related painting and as art in its own right.
: Released by indie filmmakers, this documentary directly explores the heated debates surrounding Rivers, his controversial projects like Growing , and whether an artist's contributions can be separated from their harmful personal actions. It is available via on-demand video platforms such as GATHR VOD . His 1953 painting Washington Crossing the Delaware —a
For now, there is no official available legally. But that may change. Write to the Larry Rivers Foundation. Contact MoMA. Ask your local university library. In the meantime, explore Rivers’ other films (e.g., A Short History of the American Negro (1965) or The Ivory Coast (1989)), which are more accessible.
New York University Returns Films of Larry Rivers's Children 19 Jul 2010 —
But Emma was unsparing in her rebuttal: "I don't believe my father's interests have much to do with his being an artist," she wrote. "There are many like him who never drew a circle.… I don't link my father's sexual interest in young girls to art. It's simply that when pedophile-types have their own kids, they can abuse their unique position and get away with things they couldn't otherwise".
Larry Rivers (1923–2002) was a pivotal figure in the transition from Abstract Expressionism to Pop Art. Often dubbed the "godfather of Pop Art," Rivers was a true Renaissance man of the New York school—working as a painter, sculptor, jazz saxophonist, and filmmaker.
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